Pattern design, outdoors and in…

If you are a regular reader of this blog you will already know that for the last few years my personal design practice has been inspired by garden design, and most specifically allotments and kitchen gardens in my ‘Plot to Plate‘ collection, launched in 2012. I have spent many hours walking, almost patrolling, up and down rows of National Trust cabbages and onions, armed with my sketchbook, annotating the patterns, translating them to motifs, documenting the small irregularities, the planting plans, the labeling – fruit and vegetables up and down the country, as well as our allotment, plot 8 in Birmingham. Upton, Packwood, Baddesley Clinton, Blickling, Felbrigg, to name a few National Trust gardens I have surveyed and taken inspiration from. Hanbury is my current favourite garden and I have been working on a number of patterns inspired by this property that will one day be complete, to launch at Tent London this September.

It is with this in mind that I write my thoughts. There are so many similarities between garden design and textile design they seem perfect companions in my practice. Long before Mr W. Morris picked up a pencil the natural world of flora has been a dominant subject of inspiration for pattern in the home. Rather than the bouquets and sprigs, posies and trellis it is the formal gardens, the parterres and kitchen gardens that hold the structure and compositional language that we textile designers and design educators regularly refer to…

Stripes, spot repeats, all-overs and multi-directionals, geometric grids and diamonds, checks and plaids are all to see. And so it is, that it makes sense that I really have brought two things that I do enjoy together in my creative practice. It’s too early to share artwork for my new ‘Hanbury’ designs but I will share some garden pattern from Hanbury, and my ‘new’ fabrics by the metre, available very soon, in anticipation…

garden_textiles_hanbury_web  fabricrolls1_web

Colours for the arrival of BST

Today we welcome British Summer Time and the weather has been kind. The colours of spring always seem so purposeful after the winter months, with pink trees and purple or yellow blankets of flowers spread across the parks. At the allotment the grass is rearing its greens, and yet the purple sprouting broccoli let us down. Today I celebrate the colours of our garden, noticing the yellows and purples as predominate hues.

Image

solid coated, and rather red!

It’s been rather a long time since I posted a Pantone colour as part of my Twitter project  – here’s a beautiful red.

Kate Farley@katefarleyprint

A solid and striking @pantone 186, Coated obviously – its December! Near Chesham. A damp walk cheered up by these. pic.twitter.com/SnEFnBYvJa

Embedded image permalink
For some previous Pantone colours I’ve gathered check out my Facebook page: Kate Farley Print https://www.facebook.com/photo.php?fbid=517821538247455&set=a.517820928247516.132125.503564866339789&type=1&theater

the true Plot to Plate harvest of 2013

Today I picked the final handful of beans, harvested the last of the squash in case we are surprised by a frost, and noted the pace had slowed on the rain-battered raspberries. We still have courgettes and the last row or two of potatoes, plenty of beetroot, celery… and parsnips – and for those we wait for positive news of the frost before they accompany our Sunday roasts.

I’ve often returned home from the plot to capture in photographs the success of the allotment on our plates and bowls, capturing the beauty of shape and colour of our fruit and veg. Today I thought it appropriate to put together the photos as the harvest comes to a close. I realise its incomplete; no sweetcorn, no cucumbers, no carrots or peas no blackberries or swede. No disrespect – some were a success, some disappointing – but there’s always next year to make amends.

I have to thank this lot for providing me with constant inspiration for my design collection of the same name – and this really is an example of Plot to Plate.

plottoplate_2013

Good feelings at the allotments

Taking care of an allotment plot is never about saving money on food – and Birmingham Council have ensured it could never be, given the huge plot rent increases. Tending a plot gives so much more than the crops that you harvest. Here’s a few good reasons:

  • Growing your own food provides the gardener with opportunities and excuses to go outside and realise that what looked like a grey, cold winter day is actually rather nice.
  • Digging provides an opportunity for head space, for time to mull things over, while also focusing on the amazing tenacity of bindweed and couch grass that really ought to be put to a constructive use rather than taking up all my time!
  • Making good use of time growing food makes you wonder why other people would want to spend each weekend wandering around indoor shopping centres, missing out on the feeling of muddy fingernails despite the gardening gloves and the sight of the first strawberry beginning to blush.
  • The satisfaction felt from a harvest that provides all the food for your family meal takes a lot of beating
  • and in addition to all this, I can thank the plot for the inspiration in my ‘Plot to Plate‘ design collection too.

Its a really good feeling when the crops are bountiful. The hard work of winter has paid off, the patience with the frosts and the protection from the birds has worked out okay and you get great stuff to eat for the commitment you give. With a fully laden bike and a handful of sweet peas to grasp on the handle bars you head home like a hunter gatherer from a previous age.

The thing is, when all goes well its an amazing feeling to be able to pass on the surplus to others who will also enjoy the success. Some years at the site we all have gluts of the same thing, other years we wonder what we did wrong when others are almost complaining about too many onions, and nothing has come of ours. It’s a great thing that there is never resentment to another successful gardener, but pleasure in their success. We share tips and ideas, timings and tools as well as the odd cast-off seedling and you’d be a fool to pass on the offer of parsnip seeds from Tony!

When a fellow plot-holder offered me her excess apples and pears today I politely declined at first, thinking that she would find something else to turn them in to, another apple tart, another crumble – really! too many apples? We have had a poor year in that regard. But there is a great sense of pleasure in offering ‘help’ in accepting the produce. We really are the winners in this hand-me down act, but it also feels as if we are doing a great favour in accepting the gift of free, home-grown food, enabling the grower to experience their own sense of generosity, good-spirit and community mindfulness, and saving them the feeling of not letting down the very fruit that served them so well this year – not bad for a bag of apples and pears – thanks!

applespearsbowl_web

 

 

Design inspirations 2: the natural world

Second in the series of ‘Design Inspirations’ blog entries…

The natural world has long been an inspiration for textile designers. Many years on from William Morris celebrating the natural world of flora and fauna as decoration for textiles we have had Laura Ashley, Marimekko and Orla Kiely, to only name three companies, who have interpreted the natural world and created stylised patterns and imagery which continue to inspire design students of today.

At times the worst thing as a lecturer of design we can hear from a student is that their project will be “about shells” and we dread the worst examples of static and bland studies which do little to explore the beauty and wonder of the natural world’s creations of form, structure, surface, pattern, colour and more, before approaching the bountiful concepts and metaphors in the ‘dot to dot’ of design processing hidden around the shell!

In my drawings I often aim to distil and to simplify a plant structure or shape of a flower in order to create motifs for prints and surface patterns, exploring perspective, diagrammatic language and relationships with place / context. I have a huge archive of drawings made on locations as well as boxes and bags of samples including plants, stones & leaves and one day they may well feature in designs. You never now what you might need! Going anywhere new, even for a holiday means that I keep my eyes open and often pockets filled as a result of finding new things.

Having visited the Gower peninsula for one last summer camping trip I came across these examples of natural forms, which could and would create different visual interpretations in the hands of each creative prepared for the job. That is one reason why I like to play a part in design education; to facilitate the looking, seeing and interpreting, and it is certainly why I like to keep on collecting, and keep on drawing.

 

Image

the CURRANT project – black and white

Harvest is such a great time for gardeners and at this time of year we have fruit and vegetables making up for the muddy digging in the winter and months of patience paying off.

In the first few years after these currant bushes were planted on our plot I had to commit myself to the practice of hand-squashing the caterpillars of the sawfly as they crawled and ate their way across the leaves, stripping the plants bare as they left their homes in the earth below to climb up the bushes. I ticked the box of organic, even if it wasn’t particularly vegetarian of me, but now we have stronger plants that can provide us with ingredients for Summer Pudding – and that’s not bad!

blackcurrants_webwhitecurrants_webgooseberries_web

The English countryside

We had a beautiful day yesterday involving a quick trip to Ledbury, and specifically Tinsmiths to sort out post-show details. Our visit to this lovely market town coincided with the poetry festival so we also picked up some verse, locally-made pork pies, beer and ice-cream!

It was so hot in the afternoon sun but we did manage to enjoy the scenery around the Malvern Hills to-ing and fro-ing between trees for shade. It’s a stunning landscape, and one that feels so English. I first encountered the area when I cycled Lands End to John O’ Groats back in 1994 and it left its impression on me even then.

The views from the ridge make you feel as if you are a giant overseeing a toy model landscape but it is with this viewpoint I can capture my key interest in the landscape. If I was to draw the view I would have started with lines that recorded the field boundaries defined hundreds of years ago, the footpaths etched in to the land by endless walkers and roads enabling others to pass through. The lines become shapes and a record of that moment of my experience, but what is also captured is hundreds of experiences, of us, living in this English landscape.

summer2

In terms of colours, I was struck by the stark contrast of the dry grass tones compared to the striking pink of the foxgloves and the very green bracken.

summer6 summer5

I’m also a collector of photos of grasses and such-like against blue skies, and so I happily added further imagesummer1s to that collection.

summer4

All in all, a very lovely English day.

Hanbury Hall delights

My creative practice has been inspired by National Trust gardens for the last few years and as a result I’ve had a number of people suggest I visit Hanbury Hall – finally I got round to it at the weekend. Despite the poor weather it was a delight to discover all the pockets of gardens, each carefully considered, and demonstrating the wide variety of formal and informal planting the National Trust excels at.

ImageImageImageImageImageblossom_webImageImageImageImage

Armed with my sketchbook and camera I gathered plenty of inspiration for new prints and will definitely be back later in the season.

Image

Its also a fantastic building inside and out. I dashed around the inside and a particular wallpaper caught my attention.

Image

All in all, I left feeling excited about making new work again having spent so long preparing for my solo show at Tinsmiths, opening later this month… now where did I put that lino?

tulipsHH_web

YELLOW April

Having noticed this week that the garden has suddenly started to change colour, I set about documenting all the yellow in the garden. Its not surprising at all that the photographs of the same flowers taken at different times of the day varied hugely, but I also recorded the range of yellows in the flowers of this very YELLOW season.

Image