noticing Nottingham

Having had such a great ‘destination’ review from Cara of Patternbooth blog fame via Helen’s blog DesignHunter we chose Nottingham for a last minute weekend get-a-way. I had last visited the city as a student in about 1997 and this time we set off looking for a completely different experience from the cider-drinking ‘DM boot wearing’ art student of yesteryear.

We visited lots of independent cafes and restaurants, watched a great art-film in the Lounge at the Broadway Cinema, shopped in vintage shops & design shops and yes, we did find time to sup ale at Ye Olde Trip to Jerusalem. It is a city with a great variety of interesting buildings embracing a myriad of architectural styles; almost a timeline of the design history lectures I give to my Textile Design students. The lace trade is still visible in many ways, and contemporised on the exterior surface on Nottingham Contemporary.

We had a thoroughly great time and returned home with rounder tummies and fuller bags than when we left Brum on Friday night! Thanks Cara, Helen and Nottingham!

images L-R: exterior facade of a car park, dots on a crossing, Nottingham Contemporary exterior, stair detail from the Paul Smith shop

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Norfolk lines

I’m naturally biased when it comes to the Norfolk landscape but seeing as it has shaped my aesthetic, colour preferences and my approach to drawing I am happy to consider it to be inspirational. I don’t spend enough of my time in Norfolk these days but every time I visit I take deep breaths, and big eye-fulls of the vast expanse of open landscape, the ever-changing light qualities and the endless colours of the land, sea and sky. Here’s a medley of Norfolk from this Christmas including sights of seals at Horsey Gap, a rainbow & the beach at Wells-next-the-Sea, and fields near Cawston and Alysham.

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Good feelings at the allotments

Taking care of an allotment plot is never about saving money on food – and Birmingham Council have ensured it could never be, given the huge plot rent increases. Tending a plot gives so much more than the crops that you harvest. Here’s a few good reasons:

  • Growing your own food provides the gardener with opportunities and excuses to go outside and realise that what looked like a grey, cold winter day is actually rather nice.
  • Digging provides an opportunity for head space, for time to mull things over, while also focusing on the amazing tenacity of bindweed and couch grass that really ought to be put to a constructive use rather than taking up all my time!
  • Making good use of time growing food makes you wonder why other people would want to spend each weekend wandering around indoor shopping centres, missing out on the feeling of muddy fingernails despite the gardening gloves and the sight of the first strawberry beginning to blush.
  • The satisfaction felt from a harvest that provides all the food for your family meal takes a lot of beating
  • and in addition to all this, I can thank the plot for the inspiration in my ‘Plot to Plate‘ design collection too.

Its a really good feeling when the crops are bountiful. The hard work of winter has paid off, the patience with the frosts and the protection from the birds has worked out okay and you get great stuff to eat for the commitment you give. With a fully laden bike and a handful of sweet peas to grasp on the handle bars you head home like a hunter gatherer from a previous age.

The thing is, when all goes well its an amazing feeling to be able to pass on the surplus to others who will also enjoy the success. Some years at the site we all have gluts of the same thing, other years we wonder what we did wrong when others are almost complaining about too many onions, and nothing has come of ours. It’s a great thing that there is never resentment to another successful gardener, but pleasure in their success. We share tips and ideas, timings and tools as well as the odd cast-off seedling and you’d be a fool to pass on the offer of parsnip seeds from Tony!

When a fellow plot-holder offered me her excess apples and pears today I politely declined at first, thinking that she would find something else to turn them in to, another apple tart, another crumble – really! too many apples? We have had a poor year in that regard. But there is a great sense of pleasure in offering ‘help’ in accepting the produce. We really are the winners in this hand-me down act, but it also feels as if we are doing a great favour in accepting the gift of free, home-grown food, enabling the grower to experience their own sense of generosity, good-spirit and community mindfulness, and saving them the feeling of not letting down the very fruit that served them so well this year – not bad for a bag of apples and pears – thanks!

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Words of Walberswick, Suffolk

For some reason my first visit to Walberswick has been etched on my mind as a perfect summer holiday, long in length, filled with sunny days on the bridge crabbing, playing in the dunes, and on one day, huddling round a small, borrowed tv set to watch ‘The Royal Wedding’. This was in 1981, with memory’s thick rose-tinted spectacles on. I gather we stayed for a weekend!

Fast forward a few years and we have spent a fabulous week back in the small Suffolk, coastal village this summer, showing the next generation how to crab, and to play in the dunes, with no royal wedding to distract us.

One vivid memory I have of our 1981 visit was of the ferry, the ferryman and his dog. We were confused quite why he seemed to make heavy weather of it, not rowing straight across – which seemed sensible, but instead rowing high up stream, before steering for the jetty on the Southwold bank. It was a real delight to be back on the ferry this time, with knowledge of the tidal waters, and for the small fee of 90 pence, taken across the water. There is pleasure in this simple transaction. If there was a queue, you waited. If it was only you, and not the maximum cargo, he rowed for you. Now that is service!

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I doubt the signage originated from the 80s but I really liked the straight forward communications around the jetties. Around the banks of the Blyth the boats and black wooden huts featured many hand-rendered signs, some more formal than others, so I’m sharing them here, hopefully for your pleasure.

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the CURRANT project – black and white

Harvest is such a great time for gardeners and at this time of year we have fruit and vegetables making up for the muddy digging in the winter and months of patience paying off.

In the first few years after these currant bushes were planted on our plot I had to commit myself to the practice of hand-squashing the caterpillars of the sawfly as they crawled and ate their way across the leaves, stripping the plants bare as they left their homes in the earth below to climb up the bushes. I ticked the box of organic, even if it wasn’t particularly vegetarian of me, but now we have stronger plants that can provide us with ingredients for Summer Pudding – and that’s not bad!

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July colours in the garden

Following on from the last few months of colour charts that I have created documenting colours growing in the garden I have made a July 13 one too. The weather has been hot and dry but somehow the slugs have enjoyed the marigolds so there is a lack of orange in this colour palette this year. The Foxgloves are pretty much over but the Hollyhocks and Dahlias are stunning in their part of the garden relay race through the summer schedule.

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The English countryside

We had a beautiful day yesterday involving a quick trip to Ledbury, and specifically Tinsmiths to sort out post-show details. Our visit to this lovely market town coincided with the poetry festival so we also picked up some verse, locally-made pork pies, beer and ice-cream!

It was so hot in the afternoon sun but we did manage to enjoy the scenery around the Malvern Hills to-ing and fro-ing between trees for shade. It’s a stunning landscape, and one that feels so English. I first encountered the area when I cycled Lands End to John O’ Groats back in 1994 and it left its impression on me even then.

The views from the ridge make you feel as if you are a giant overseeing a toy model landscape but it is with this viewpoint I can capture my key interest in the landscape. If I was to draw the view I would have started with lines that recorded the field boundaries defined hundreds of years ago, the footpaths etched in to the land by endless walkers and roads enabling others to pass through. The lines become shapes and a record of that moment of my experience, but what is also captured is hundreds of experiences, of us, living in this English landscape.

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In terms of colours, I was struck by the stark contrast of the dry grass tones compared to the striking pink of the foxgloves and the very green bracken.

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I’m also a collector of photos of grasses and such-like against blue skies, and so I happily added further imagesummer1s to that collection.

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All in all, a very lovely English day.

scale and context

During a beautiful adventure in the Lickey Hills, south of Birmingham at the weekend I took these photos that showed how similar the environment close to the ground was to the canopy of the much taller pine trees. It highlighted to me the experience of scale and how important the context is. I tend to record this sort of detail in my garden sketches too and so it struck a chord.

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Garden flower colour calendar 2013

I posted a ‘yellow’ set of photographs of flowers from our garden for the month of April a few weeks ago and have since noticed quite a change of colour in the garden over the weeks. I have created a May (pinks and purples) and June (reds, orange and magenta) record of flowers too. With such gloomy weather recently its worth noting that some refer to June as ‘flaming June’ – not my thoughts in this particular June 2013!

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Hanbury Hall delights

My creative practice has been inspired by National Trust gardens for the last few years and as a result I’ve had a number of people suggest I visit Hanbury Hall – finally I got round to it at the weekend. Despite the poor weather it was a delight to discover all the pockets of gardens, each carefully considered, and demonstrating the wide variety of formal and informal planting the National Trust excels at.

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Armed with my sketchbook and camera I gathered plenty of inspiration for new prints and will definitely be back later in the season.

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Its also a fantastic building inside and out. I dashed around the inside and a particular wallpaper caught my attention.

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All in all, I left feeling excited about making new work again having spent so long preparing for my solo show at Tinsmiths, opening later this month… now where did I put that lino?

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