Brassica purple, harvest time

Having sown the seeds for purple sprouting last summer it has been the usual long wait until harvest time, but we have been picking it for the last few weeks. It always feels good to pick the brassica because the new season of crops are a while off harvesting.

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The purple of the sprouting inspired my colour palette for the Plot to Plate tea towels.

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I can’t resist colour matching, so here we are again …

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pride in the pattern of Pride cutlery

Two years ago I produced a bespoke pattern design for David Mellor Design celebrating the ‘Chelsea‘ salad servers that Creative Director Corin Mellor, (David’s son) had designed. The pattern was screen printed on to tea towels, being a highly appropriate product for the cutlery, and they continue to sell very well through the David Mellor shops and their online store. I took inspiration from the Hathersage factory and the production methods used for the making of the cutlery pieces. I like the fact that Corin sees and appreciates the relevance of the design to his company. Although I can create pattern for pattern’s sake, I am really interested in pattern that belongs to particular brands, to communicate a belonging, of distinctiveness.

This summer I was delighted to be contacted again by Corin as the buying team were keen to add a new pattern. Starting any new commission is exciting as the conversations about the intentions of the artwork, the concepts that need building on, the production methods, colour and material choices, expectations and of course… deadlines!

With all of that taken care of I received a beautiful box of cutlery to draw from. Corin had decided he wanted to celebrate his father’s first cutlery, Pride, designed in 1953. It is so elegant, beautiful to hold, and a joy to draw from let alone to eat from! I worked the same way I had done before, developing sketches and informal compositions, working up motifs and rhythms in a sketchbook first before generating final drawings and paper cut outs to scan to digital artwork.

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I work across a number of software packages depending on what is required, and always bearing in mind the final artwork requirements for production. It matters right from the beginning whether the production method is traditional printing or digital as I will design accordingly, limiting numbers of colours in the design if required, and using colour in the most appropriate way. This summer with several design projects on the go I’ve worked with Pantone references, RAL, NCS, pigment ink swatches and CMYK values. For this project we used British Standard colour relating it to other products that are stocked by David Mellor Design but I had to convert it to modern day language!

Having completed a few different designs I sent them through to Corin and his buying team and was of course really pleased when they got back to me with the same choice as me. I’ve learned never to send anything I’m not quite happy with or proud of, as that will be the one the buyer picks! Sampling and production were the next steps as well as designing the new swing tag to suit both the “Chelsea’ and the Pride tea towels. I screen print these in my studio on to beautiful G.F. Smith paper.

I’ve worked with the same fabulous British company to screen print textile products several times before and it’s always a delight to take a further project to production with them. They understand that it’s not that I’m fussy, but rather ‘particular’ about details, and we work together well. Signing off proofs, forwarding woven designer logo tags to be sewn in and waiting for the order delivery sees the weeks go past, and very soon there will be two patterns of cutlery.

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I’m a cutlery fan any day of the week, and this really has been a fabulous commission to work on. To create a pattern for a client where the design relates to the product it is destined for, and its job is to visually communicate the heritage, culture and ethos of the company is a very fine challenge to take on. Proud of Pride!

Keep an eye out for ‘Pride’ in the David Mellor shops next month…

the colours of 2014

Back in 2012 I started a colour project on Twitter, using Pantone references ( @pantone ) that represent particular colours of the season, place or activity of the day alongside photographs that I have taken. The words relate to the language of colour, seasons and the activities so often word-play is used, particularly in relation to Coated, Uncoated or Process, as used in the Pantone system of colour. Having kept this going for over two years I decided to look back to see the colour swatches of 2014, a record of colour of my year, having recorded pattern of 2014 in my previous post. In chronological order under the swatches are the Tweets to tell you about the images, they read from top L to R, along each row ending with the hyacinth, bottom R.

From this point on we can look forward to 2015…. Happy New Year…

KFarley_colourof2014

Kate Farley @katefarleyprint  ·  Jan 27

ORANGES! A new breakfast treat, from @pantone180 solid to process = marmalade

Kate Farley @katefarleyprint  ·  Feb 12

Brilliant @pantone Red DS 75-1Uncoated; a gig of captured whispers & exploding electric noise @annacalvi Outstanding!

Kate Farley @katefarleyprint  ·  Mar 2

Yesterday: @pantone DS 290-1 Coated, sights of fresh green but otherwise muddy underfoot – Spring has sprung

Kate Farley @katefarleyprint  ·  Mar 9

Crocus delights: @pantone process, heading home, 49-1Uncoated, Spring sun

Kate Farley @katefarleyprint  ·  Mar 15

Malvern moss green @pantone DS 312-1U = process walking & uncoated. A beautiful spring day #Herefordshire

Kate Farley @katefarleyprint  ·  Mar 29

Spring green @pantone 389 Uncoated, on the eve of BST. Euphorbia at its best!

Kate Farley @katefarleyprint  ·  Apr 11

Bored of blossom? Beautiful @pantone 684 PC – Solid optimism to Process – the Spring growing season.

Kate Farley @katefarleyprint  ·  May 21

Okay so it’s not #RHSChelsea but stunning @pantone 806 Solid pink Uncoated. Sadly rain due to spoil it tonight!

Kate Farley @katefarleyprint  ·  Jun 27

A lot of @pantone 207 PC with @tiborreich on behalf of @textilesBCU Every colour under the sun and rain. #textiles

Kate Farley @katefarleyprint  ·  Jul 10

Today = A sunny @pantone yellow 604 Uncoated and optimistic on all fronts! #colour

Kate Farley @katefarleyprint  ·  Jul 21

A stunning yellow @pantone 386 Uncoated, hot & with plants growing in the wrong place across the plot. #weeds

Kate Farley @katefarleyprint  ·  Jul 25

A stunning, loud and proud @pantone Red hot 032 Uncoated and attracting the insects today. #dahlia #colour

Kate Farley @katefarleyprint  ·  Aug 1

RED! Harvest time with these @pantone 200 Coated at the moment crab apples, soon to become jelly! #colour #harvest

Kate Farley @katefarleyprint  ·  Aug 11

Pink @pantone 679 Uncoated, wild and fresh from #Dartmoor #heather #colour

Kate Farley @katefarleyprint  ·  Sep 3

Blooming special rose @pantone 7417 Uncoated & without an umbrella – let’s hope for no rain! #colour #rose #weather

Kate Farley @katefarleyprint  ·  Sep 8

A stunning @pantone 611 Solid Process flower but I’m waiting for the squash! #colour #PlottoPlate #runningoutoftime

Kate Farley @katefarleyprint  ·  Oct 6

It was sunny yesterday, Uncoated with @pantone orange 021 nasturtiums. #colour #autumn #allotment

Kate Farley @katefarleyprint  ·  Oct 20

Happy to receive @pantone Coated 201 red windfall apples from the allotment at the weekend. #harvest #sharing

Kate Farley @katefarleyprint  ·  Dec 7

A stunning @pantone Solid 158 watching me dig at the plot today, Coated of course #colour #allotment #digging #robin

Kate Farley @katefarleyprint  ·  Dec 30

Blooming! We are enjoying the seasonal @pantone 226 Uncoated and indoors #hyacinth

Communicating Colour

Evocative, technical, predictive, informative, for matching, mixing, ordering, cataloguing, of materials, surfaces, finishes, whims and traditions…

Working across the fields of surface design, textiles, public art and fine art I have come across many ways to represent colour in order to communicate qualities. Whether it be for perfecting a match for production, or generating an evocative palette for a client, each niche within the industry has its way of doing things. Black for the Northern Line, double yellow for no parking, gold for the winner, and red for wrong. From Global Color, to Farrow & Ball, Pantone to Berisfords the language of colour is key. Some give codes, other names, sometimes a swatch, others a smudge, universal, local, a science and an art!

Seductive, formal, in a book, or on a card, each help to create the colours in the world around us, and while the skills of the individuals choosing, producing and matching will no doubt be overlooked by most, may the colours continue to sing, calm, provoke and much more.

I’ve brought some of the various forms of colour I work with together to brighten up this grey, wet Monday in February.

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