Having noticed this week that the garden has suddenly started to change colour, I set about documenting all the yellow in the garden. Its not surprising at all that the photographs of the same flowers taken at different times of the day varied hugely, but I also recorded the range of yellows in the flowers of this very YELLOW season.
One of the things that has inspired and influenced my creative practice is how we work with the land; to farm, build roads, wear the paths where we shouldn’t walk as well as create boundaries. These are signs of man asserting influence over nature, and the natural landscape. Of course the way things were thousands of years ago will never return but modern-day farm machinery and larger field sizes are two things that have shaped our contemporary countryside.
I have never quite understood topiary but am intrigued when I see orchards with heavily structured boughs, turning a natural system in to a geometric diagram. We ask nature to do what it does not naturally want to do. We expect plants to grow in the wrong soils, because we like the look of them despite our climate, and we can be unforgiving if a ‘weed’ dares to grow where we don’t want it to.
With this in mind I do like to see subversive and anarchic challenges from nature, and nature trying to make its mark where it shouldn’t. Like graffiti on the wrong walls; art in a gallery, vandalism on the streets, plants do sometimes have their own agenda. I found this beautiful plant surviving, flourishing even, in the mortar of a very old wall in Ledbury. It made me laugh. It wasn’t the usual ivy or buddleia, but a beautiful primula, proud as punch of its achievements. Okay, so the leaves are rather small relative to the flower heads but I couldnt help feeling rather pleased for it too.
At the start of the harvest time last year I shared with you our first crops of the season. Today I cleared the brassicas that have been under attack from pigeons all winter – much to my distress, and planted in their place the potatoes for the coming year. It was a sign of handing over the baton to another year of potential, involving the weather, our effort, opportunities for head-space and the reward in what we get to eat.
Each year we start with a revised planting plan, more back ache, a new set of gloves and opportunities for me to draw and record the plants to provide further inspiration for my art and design work. As I have also spent the last few days designing, cutting and printing new lino blocks, the creative process of doing so reminds me very much of being a gardener; working with the elements and using knowledge, intuition, skill, time and desire to create something from small beginnings.
I remain positive about the growing season ahead, surely there cant be as many slugs and pigeons this year… can there? And as for cutting lino, I’m in it for the long haul.
Given that I am about to take my Plot to Plate collection of designs to Top Drawer this weekend I thought people might be interested in the design journey of ideas that result in such a collection of pattern.
My ideas tend to belong as series of thoughts that I explore in a number of drawings over months, and sometimes years. I challenge myself to explore many ways to represent the same things, often resulting in simplified motifs, some would say scribbles. Drawings are often in rather utilitarian handmade sketchbooks that are not precious so there is no fear of the white blank page before I start. Sometime, in fact quite often, I draw while walking, and trying not to look conspicuous or weird as I track my way round a National Trust kitchen garden, almost creating a diagram, literally a planting plan as I go. Sometimes I make notes in my drawings, of colours, names of plants from the labels in the ground, or note references to research at a later date.
The titles of some of my designs are: xvo, xo, xxvv and these come from the shorthand I created in order to document gardens and allotments as I paced.
In the studio, and for sometime after I dwell, I study, I revisit the motifs, rhythms and compositions I gathered, I redraw, formalise and create new pieces, as one-off drawings in series to exhibit and sell. Some compositions lend themselves to self-contained lino prints or screenprints and so I spend time developing the designs, cutting the plates, and enjoying the process of editioning. I could never imagine getting bored (my edition sizes are small!) of lifting the paper from an inked block, each time to discover the image. So low-tech, yet engaging.
At this point I notice elements that can be scanned in and reworked in Photoshop or Illustrator software to create repeat designs and colourways for further potential – and this is how I created the design collection of ‘Plot to Plate’.
The Plot to Plate signature design of garden, kitchen and dining tools also came from my playing with the dog-tooth check as a classic rhythm, and my keen interest in telling a story as a visual narrative. Pattern can of course be pretty, but I enjoy the challenge of asking it to communicate something beyond itself. In this instance my drawings were made directly for this purpose and I translated them for screen.
I hope the images explain the fun I have had, and the pride that I feel in this collection.
More examples of prints and drawings can be found on my website gallery pages
As the Summer seems to be on the turn towards Autumn I celebrate green leaves while I can. Being inspired by my paper manipulation history I played with slotting and folding to entertain the smaller members of the family while enjoying the garden.
A short trip to the allotment this morning also enabled us to gather Autumn raspberries – yes, the clue is in the name. At least the sweet peas are still flowering as the slugs eat my harvest of carrots, onions, parsnips and beetroot! Now I’m not sure that would be worth getting the sketchbook out for!
It’s been a long wait, but today our first Dahlia of the season has opened its petals and shown itself. This is a huge success given the battle of the slugs that I have been fighting – organically mind. We have more to come but today we celebrate – by morning it may well have been felled by slugs or rain.
I’ve been rather keen on dahlias for years and have admired the huge borders that the National Trust are able to show off at this time of year. I hope they are sharing in our success. The long border at Baddesley Clinton is usually well worth seeing and I think Packwood House may also have some. The second and third photos are from last summer – note sunshine! I also include an image of ‘pompom’, an editioned lino print I made a while ago, having been inspired by the dahlia season. Long may they bloom!…
We’ve been out and about in the country to see Rapture and Wright’s open studio – beautiful hand printed textiles,
and we visited National Trust’s Snowshill Manor which might encourage me to stop hoarding! Always lovely to see another garden too…
Kate Farley - drawn to design 