As a result of my current pattern research practice, I’ve been keen to get out and discuss print production methods with designers and manufacturers, particularly as I was restricted in doing so while writing my book during the pandemic. A couple of weeks ago I had the opportunity to visit designer Marthe Armitage in her showroom in west London, showing her my sketchbook / design work and discussing each of our design and production processes.
I’m not sure when I first became aware of Marthe’s patterns on wallpaper and cloth, but I’ve used her designs in my university lectures for the last few years to illustrate economic principles of building pattern, using a single block (one colour) to provide flowing and complex patterns, featuring varieties of visual texture within motifs. I bought the book on her life / design career, The Making of Marthe Armitage (published in 2019 by Graphical House) and was impressed by the beautiful drawings that accompany and support the design work I was familiar with. It is a thoughtfully produced book, with some copies available with a hand printed wallpaper wrap cover.
I’ve written before here about the time my ‘phone rang and Marthe was at the other end, ready to discuss her inclusion in my book and we went on to put the process of pattern design to rights. Meeting her more recently and showing her my sketchbook was a wonderful experience. There was straight talking about the current state of patterns available on the market and we agreed with each other about drawing on paper to map out the design on a grid to establish the composition for repeat. She was intrigued by my investigation in to block repeat and rotation of the tile and suggested some of my ideas more fruitful than others – I agree! We were joined by Marthe’s daughter Jo who leads the hand printing and is key to the future direction of the business, as well as Harriet, the Creative Project Manager and Christine, the hand printer who supports Jo in production. I was interested to learn of some new plans in development and gain an understanding of their experiences of print production in the UK.
The showroom in Brentford is a beautifully designed space which includes the printing press for hand printing their wallpapers and plenty of samples to admire, and is open to the public regularly. Tins of ink are displayed alongside samples of designs in progress and colour testing. It was also interesting to see the lino blocks featuring the designs cut by Marthe backed on metal plates ready for the press. Check out the instagram account for up to date news.
As our meeting came to an end, I grabbed the opportunity to ask Marthe for a photograph of her alongside the beautiful designs and to sign the copy of my REPEAT book in which I’m collecting signatures from the contributors. I am very grateful to Marthe and the team for making time to meet with me, thank you!