Communicating Colour

Evocative, technical, predictive, informative, for matching, mixing, ordering, cataloguing, of materials, surfaces, finishes, whims and traditions…

Working across the fields of surface design, textiles, public art and fine art I have come across many ways to represent colour in order to communicate qualities. Whether it be for perfecting a match for production, or generating an evocative palette for a client, each niche within the industry has its way of doing things. Black for the Northern Line, double yellow for no parking, gold for the winner, and red for wrong. From Global Color, to Farrow & Ball, Pantone to Berisfords the language of colour is key. Some give codes, other names, sometimes a swatch, others a smudge, universal, local, a science and an art!

Seductive, formal, in a book, or on a card, each help to create the colours in the world around us, and while the skills of the individuals choosing, producing and matching will no doubt be overlooked by most, may the colours continue to sing, calm, provoke and much more.

I’ve brought some of the various forms of colour I work with together to brighten up this grey, wet Monday in February.

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spring in a vase

Despite us not having had snow yet this winter we have the pleasure of seasonal flowers that are so beautiful and distinctive, its time to celebrate them here, captured today on digital ‘film’.

I’ve drawn both the snow drop and the daffodil so many times over the years (mending from a broken elbow led me to a season of endless daffs drawings as a way to pass time) and yet each year they surprise me in their beauty. Is it too much to expect that spring will be just around the corner, and we can start this year’s digging?

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micro florals

I’m used to gathering flowers and then drawing them over and over in order to learn more about their colours, shapes, forms and structures in order to develop imagery for prints and textile designs. At home this weekend we looked at flowers in a different way. We investigated last years plants that my daughter had pressed safely, and looked at them under the microscope that my son had become rather too keen on discovering inside the utilitarian wooden box it lives in.

We had great excitement as some rather plain plants revealed stunning patterns and textures and were disappointed when something beautiful at full-scale looked rather scary close-up. On trying to capture these images on camera the results were reminiscent of Len Lye animations and got me thinking about other ideas. Here’s a few images to share…

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noticing Nottingham

Having had such a great ‘destination’ review from Cara of Patternbooth blog fame via Helen’s blog DesignHunter we chose Nottingham for a last minute weekend get-a-way. I had last visited the city as a student in about 1997 and this time we set off looking for a completely different experience from the cider-drinking ‘DM boot wearing’ art student of yesteryear.

We visited lots of independent cafes and restaurants, watched a great art-film in the Lounge at the Broadway Cinema, shopped in vintage shops & design shops and yes, we did find time to sup ale at Ye Olde Trip to Jerusalem. It is a city with a great variety of interesting buildings embracing a myriad of architectural styles; almost a timeline of the design history lectures I give to my Textile Design students. The lace trade is still visible in many ways, and contemporised on the exterior surface on Nottingham Contemporary.

We had a thoroughly great time and returned home with rounder tummies and fuller bags than when we left Brum on Friday night! Thanks Cara, Helen and Nottingham!

images L-R: exterior facade of a car park, dots on a crossing, Nottingham Contemporary exterior, stair detail from the Paul Smith shop

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Norfolk lines

I’m naturally biased when it comes to the Norfolk landscape but seeing as it has shaped my aesthetic, colour preferences and my approach to drawing I am happy to consider it to be inspirational. I don’t spend enough of my time in Norfolk these days but every time I visit I take deep breaths, and big eye-fulls of the vast expanse of open landscape, the ever-changing light qualities and the endless colours of the land, sea and sky. Here’s a medley of Norfolk from this Christmas including sights of seals at Horsey Gap, a rainbow & the beach at Wells-next-the-Sea, and fields near Cawston and Alysham.

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solid coated, and rather red!

It’s been rather a long time since I posted a Pantone colour as part of my Twitter project  – here’s a beautiful red.

Kate Farley@katefarleyprint

A solid and striking @pantone 186, Coated obviously – its December! Near Chesham. A damp walk cheered up by these. pic.twitter.com/SnEFnBYvJa

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For some previous Pantone colours I’ve gathered check out my Facebook page: Kate Farley Print https://www.facebook.com/photo.php?fbid=517821538247455&set=a.517820928247516.132125.503564866339789&type=1&theater

‘Chelsea’ drawings to design for David Mellor Design

Many months ago I had the go-ahead from Corin Mellor to design a bespoke pattern to celebrate the fabulous ‘Chelsea’ salad servers that he designed for David Mellor Design. When I first saw the cutlery I immediately really liked the look of them and when I received the servers they were amazing to hold – they still are. Impressive in weight and size, the shape is simple yet stunning, and they inspired me to set about drawing. With a number of design options I provided Corin Mellor, Creative Director and his retail team, they discussed and advised, and before long we agreed on this design that is now printed on to linen union tea towels and sold on my website, David Mellor shops in Hathersage and London as well as Museums Sheffield.

With the tea towel now listed in the ‘Special Products’ section of the David Mellor catalogue I thought it time to show some of the images I have of the process. I took inspiration from my visit to the factory in Hathersage where they make and display the cutlery production process as well as the objects themselves.

I’ve had great feedback and sales, we are having another print-run and they’ve received press in the form of Elle Decoration!

Thanks also to Patternbooth and Design Hunter:

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the true Plot to Plate harvest of 2013

Today I picked the final handful of beans, harvested the last of the squash in case we are surprised by a frost, and noted the pace had slowed on the rain-battered raspberries. We still have courgettes and the last row or two of potatoes, plenty of beetroot, celery… and parsnips – and for those we wait for positive news of the frost before they accompany our Sunday roasts.

I’ve often returned home from the plot to capture in photographs the success of the allotment on our plates and bowls, capturing the beauty of shape and colour of our fruit and veg. Today I thought it appropriate to put together the photos as the harvest comes to a close. I realise its incomplete; no sweetcorn, no cucumbers, no carrots or peas no blackberries or swede. No disrespect – some were a success, some disappointing – but there’s always next year to make amends.

I have to thank this lot for providing me with constant inspiration for my design collection of the same name – and this really is an example of Plot to Plate.

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Good feelings at the allotments

Taking care of an allotment plot is never about saving money on food – and Birmingham Council have ensured it could never be, given the huge plot rent increases. Tending a plot gives so much more than the crops that you harvest. Here’s a few good reasons:

  • Growing your own food provides the gardener with opportunities and excuses to go outside and realise that what looked like a grey, cold winter day is actually rather nice.
  • Digging provides an opportunity for head space, for time to mull things over, while also focusing on the amazing tenacity of bindweed and couch grass that really ought to be put to a constructive use rather than taking up all my time!
  • Making good use of time growing food makes you wonder why other people would want to spend each weekend wandering around indoor shopping centres, missing out on the feeling of muddy fingernails despite the gardening gloves and the sight of the first strawberry beginning to blush.
  • The satisfaction felt from a harvest that provides all the food for your family meal takes a lot of beating
  • and in addition to all this, I can thank the plot for the inspiration in my ‘Plot to Plate‘ design collection too.

Its a really good feeling when the crops are bountiful. The hard work of winter has paid off, the patience with the frosts and the protection from the birds has worked out okay and you get great stuff to eat for the commitment you give. With a fully laden bike and a handful of sweet peas to grasp on the handle bars you head home like a hunter gatherer from a previous age.

The thing is, when all goes well its an amazing feeling to be able to pass on the surplus to others who will also enjoy the success. Some years at the site we all have gluts of the same thing, other years we wonder what we did wrong when others are almost complaining about too many onions, and nothing has come of ours. It’s a great thing that there is never resentment to another successful gardener, but pleasure in their success. We share tips and ideas, timings and tools as well as the odd cast-off seedling and you’d be a fool to pass on the offer of parsnip seeds from Tony!

When a fellow plot-holder offered me her excess apples and pears today I politely declined at first, thinking that she would find something else to turn them in to, another apple tart, another crumble – really! too many apples? We have had a poor year in that regard. But there is a great sense of pleasure in offering ‘help’ in accepting the produce. We really are the winners in this hand-me down act, but it also feels as if we are doing a great favour in accepting the gift of free, home-grown food, enabling the grower to experience their own sense of generosity, good-spirit and community mindfulness, and saving them the feeling of not letting down the very fruit that served them so well this year – not bad for a bag of apples and pears – thanks!

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box of colour

I was shown this wonderful Alice in Wonderland paint box that has been looked after for many years. It is so much nicer than much of the branded, TV themed products of today. I especially like the labeling of the names of the colours. Is sap really that green? I would have been a very happy child to have received a box of such size and potential. Note: Made in England!

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