an alternative view

I’m not so keen on this time of year. Despite the crocuses being up it doesn’t feel anywhere near summer, and there is still a small chance that snow will fall before anything but parsnips can be harvested on our plot. Having been brought up in the Norfolk countryside I miss what the countryside offers. It is important to me that I notice the seasonal changes that shape our year, despite the suburban home I find myself in, here in Birmingham. I miss the big skies, the open fields, and the greens of each season, still in existence, I just can’t see them from here.

ferryLakedistrict1

Looking though photographs from last summer I found this shot. I took it from the car as we sat aboard the Windermere ferry, crossing back towards the motorway, heading south to the Midlands from our final holiday of the season. It really was a grasped shot of the closing summer, peering through the window, breathing in the view. A last look across to the beautiful hills of the Lake District, unaware of what sort of wet winter was in store for so many in the region. In getting the link to the ferry for this post I’ve just discovered there’s a ferry-cam. I’ll check back to it in daylight, and dream of the summer holiday.

Today it was sunny in Birmingham. I had a short run around the park nearby and pretended it was the countryside, imagining I really could feel the heat of the sun through my hat, gloves and coat. I think we have a while to wait. The ground underfoot reminded me all to well of school cross-country in winter!

I think I’m in need of another holiday to the country!

 

 

miles on wheels

I was brought up in a very keen cycling family, as a useful form of transport from a-b as well as for touring holidays and adventures. Growing up in Norfolk meant ignorant bliss when it came to real hills, and yet we did know that it can feel as if you have a headwind on four sides of a flat field!

With the Design Museum’s bicycle focused ‘Cycle Revolution‘ exhibition now on, the theme of their Twitter #FontSunday recently was bicycle brands. This got me thinking. I own many bikes, and each one for different reasons and I have many happy memories of times on two wheels. I took a few photos and started to remember…

KFarley_bicycles_blog

My early school photos show evidence of me learning to ride. Scars, bumps and bruises across my face, the result of falling in to the ditch of the edge of the disused airbase runway in rural Norfolk. I’ve fallen off with full panniers on, in fords deep enough with water to soften the landing, and I’ve broken my elbow as a result of hitting a pothole that was so small it could hardly be photographed for evidence! I’ve cycled Boxing day charity CTC runs, made others fall in love with touring on wheels, and ran round the park being brave enough to let my own children pedal away from me.

I inherited the silver ‘Falcon’ after my dad died, and once I’d grown old enough to fit an adult frame. With huge sentimental value, I love the bike I’ve covered miles and miles on. Youth hosteling with friends in Norfolk, and further afield: Scotland, Wales, France and Denmark. Loaded high and wide, on the open road, enjoying the same freedoms my father had experienced on the same steel frame.

My ‘Rudge Whitworth’, a heavy gent’s black butchers bike with rod brakes and wicker basket was purchased for a tenner from a fellow student at the art school in Great Yarmouth. I loved riding along, with my art box in the basket, seated so high up that I could peer over fences and be nosy. It takes hard work to pick up real speed, and yet once going, it’s impressive. The stopping is more interesting / less easy!

KFarley_bikes_blog

My life changed colour with the purchase of my ‘Turkish Green’ Brompton, from BikeFix in London. I ordered it before I’d seen the true colour but as the staff pointed at many products in the shop, saying, nearly this, bluer that that, brighter than those, I chose my new bike. On the day it arrived I excitedly arrived at the shop to discover the true colour, and to receive ‘training’ of how to fold and unfold the bike before I was allowed out on the streets. When I lived in London I headed off with the bike, all over the place, leading bookbinding workshops, before packing it all up, and heading off to the train home again, some miles cycled, others on tracks. Now this bike is my regular commuter bike to the train and I’ve covered so many miles in over ten years. I transport my children on it when they are too tired to walk, I load up the rack with runner beans in trays ready for the allotment, and I carry the harvest back from the plot, strapped up in front and behind. I fold it without a second thought now.

There are other bikes too. The borrowed, hand-built racing bike I cycled Lands End to John O’Groats on back in 1994, all 1144 miles of it. Then the Dawes Galaxy with ‘modern’ gears, that made me embrace cleats on the pedals instead of the rat traps. The red Falcon that I had before I was tall enough for my Dad’s old bike, I still have that one too.

Each bike I own was made with a different rationale to the next one, in different times, in different workshops and factories, with different ambitions. Each one I own has been part of a different story too.

 

 

summer to autumn colours

We’ve been treated to some clear blue sky days over the last few weeks and this makes the transition from summer to autumn a bit more tolerable. I always hate having to acknowledge that the summer warmth has gone for another year, and that the plot has given us most of the harvest for the year. We will wait for the frosts before we dig the parsnips, but I’ve gathered the squash and picked the final runner beans we will eat. The last of the sweet peas still offer their scent, but their strength of colour has passed. It’s a constructive time at the plot as we take down the netting, pull up the spent corns and clear ground for new anticipation.

Poppies, marigolds and nasturtiums still bloom such strong summer colours, daring the frost not to strike for a few more nights… I have my fingers crossed too…

KFarley_SummerAutumn_plot

Sissinghurst in full bloom

We had a great day out at National Trust’s Sissinghurst gardens in Kent last week even though the weather gave us several seasons in one day. It has been a number of years since my last visit and I’ve spent those years becoming more of a gardener, and launched my Plot to Plate collection of garden inspired patterns in that time so my reasons for observing, taking photographs and drawings have changed. The planting was fantastic; the combinations of colours and textures in particular were stunning. Here’s a few examples:

KFarley_sissinghurst_blogweb

Plot to Plate printed pattern at Pulse 2015

It always takes far longer to prepare for a trade show than it does to be there but I thought I’d show a bit of the journey of my show. Rather substantial worries kicked in the night before when we feared the contents of my stand were not able to be carried by two human beings, and more worryingly, not allowed on the train to London. Somehow we managed what felt like a physical endurance test, in fact it was… and began to make it my home for the next few days. Olympia is a stunning building to spend time in and we got the show up in a few hours, ready for the off… and there was still time to admire the London Underground graphics at Earls Court.

The Plot to Plate collection has grown substantially since its first trip to Olympia when I was showing in the Spotted section, at Top Drawer back in 2012. I am delighted that the new Hanbury and Parterre cushions have been well received by visitors to the show. These are hand screen printed and then sewn in Birmingham by social enterprise Textiles by St. Annes. The patterns are inspired by National Trust’s Hanbury Hall and Gardens, near Bromsgrove. The Hanbury wallpaper was also popular with interior designers visiting the show and Plot to Plate VVV was the most admired of my fabrics. My ‘parterre’ show dress was also much commented upon, with orders keen to be placed!

I was pleased to be an ‘expert pick’ by David Nicholls of House and Garden in the Pulse Preview and also chosen by Trend Bible in the trend section of the show catalogue.

It was also a pleasure to meet ex students of mine, graduating from the Textile Design degree at Birmingham City University, as visitors to the show in their industry roles, and I could still remember their names! How nice of them to say hello and make time to find out what I was up to.

The new friends made of the exhibitors beside me was really special. Such a supportive group of people, helping out, freely sharing trade insights, generally lovely people really helping the show be a great experience. The end of the show, although a welcome relief to the hours of standing (I really couldn’t carry a chair on the train!) was almost a sad time, as we stripped the walls bare, packed up our belongings, said our farewells and left, with the most ridiculous load I ever plan to carry. Maybe I’ll start making paper thimbles!

Thanks to all who visited and thanks to all who helped along the way! Here are the images which represent in some small way the few days at Kensington Olympia, May 2015.

`KFarley_pulse15

the colours of 2014

Back in 2012 I started a colour project on Twitter, using Pantone references ( @pantone ) that represent particular colours of the season, place or activity of the day alongside photographs that I have taken. The words relate to the language of colour, seasons and the activities so often word-play is used, particularly in relation to Coated, Uncoated or Process, as used in the Pantone system of colour. Having kept this going for over two years I decided to look back to see the colour swatches of 2014, a record of colour of my year, having recorded pattern of 2014 in my previous post. In chronological order under the swatches are the Tweets to tell you about the images, they read from top L to R, along each row ending with the hyacinth, bottom R.

From this point on we can look forward to 2015…. Happy New Year…

KFarley_colourof2014

Kate Farley @katefarleyprint  ·  Jan 27

ORANGES! A new breakfast treat, from @pantone180 solid to process = marmalade

Kate Farley @katefarleyprint  ·  Feb 12

Brilliant @pantone Red DS 75-1Uncoated; a gig of captured whispers & exploding electric noise @annacalvi Outstanding!

Kate Farley @katefarleyprint  ·  Mar 2

Yesterday: @pantone DS 290-1 Coated, sights of fresh green but otherwise muddy underfoot – Spring has sprung

Kate Farley @katefarleyprint  ·  Mar 9

Crocus delights: @pantone process, heading home, 49-1Uncoated, Spring sun

Kate Farley @katefarleyprint  ·  Mar 15

Malvern moss green @pantone DS 312-1U = process walking & uncoated. A beautiful spring day #Herefordshire

Kate Farley @katefarleyprint  ·  Mar 29

Spring green @pantone 389 Uncoated, on the eve of BST. Euphorbia at its best!

Kate Farley @katefarleyprint  ·  Apr 11

Bored of blossom? Beautiful @pantone 684 PC – Solid optimism to Process – the Spring growing season.

Kate Farley @katefarleyprint  ·  May 21

Okay so it’s not #RHSChelsea but stunning @pantone 806 Solid pink Uncoated. Sadly rain due to spoil it tonight!

Kate Farley @katefarleyprint  ·  Jun 27

A lot of @pantone 207 PC with @tiborreich on behalf of @textilesBCU Every colour under the sun and rain. #textiles

Kate Farley @katefarleyprint  ·  Jul 10

Today = A sunny @pantone yellow 604 Uncoated and optimistic on all fronts! #colour

Kate Farley @katefarleyprint  ·  Jul 21

A stunning yellow @pantone 386 Uncoated, hot & with plants growing in the wrong place across the plot. #weeds

Kate Farley @katefarleyprint  ·  Jul 25

A stunning, loud and proud @pantone Red hot 032 Uncoated and attracting the insects today. #dahlia #colour

Kate Farley @katefarleyprint  ·  Aug 1

RED! Harvest time with these @pantone 200 Coated at the moment crab apples, soon to become jelly! #colour #harvest

Kate Farley @katefarleyprint  ·  Aug 11

Pink @pantone 679 Uncoated, wild and fresh from #Dartmoor #heather #colour

Kate Farley @katefarleyprint  ·  Sep 3

Blooming special rose @pantone 7417 Uncoated & without an umbrella – let’s hope for no rain! #colour #rose #weather

Kate Farley @katefarleyprint  ·  Sep 8

A stunning @pantone 611 Solid Process flower but I’m waiting for the squash! #colour #PlottoPlate #runningoutoftime

Kate Farley @katefarleyprint  ·  Oct 6

It was sunny yesterday, Uncoated with @pantone orange 021 nasturtiums. #colour #autumn #allotment

Kate Farley @katefarleyprint  ·  Oct 20

Happy to receive @pantone Coated 201 red windfall apples from the allotment at the weekend. #harvest #sharing

Kate Farley @katefarleyprint  ·  Dec 7

A stunning @pantone Solid 158 watching me dig at the plot today, Coated of course #colour #allotment #digging #robin

Kate Farley @katefarleyprint  ·  Dec 30

Blooming! We are enjoying the seasonal @pantone 226 Uncoated and indoors #hyacinth

a new starting line

I’ve spent more than two years developing designs and products in the ‘Plot to Plate‘ collection and was incredibly proud to show the collection, with the new ‘Hanbury’ wallpaper at TentLondon in the London Design Festival in September to a great reception. Allotments and kitchen gardens inspired the limited edition prints which inspired the patterns, British manufacturers make the products and I’ve documented much of this process here in the blog.

During this time I’ve also been working on really exciting projects that are at stages too early to share here, and I’ve created commercial print designs for clients in both interior and fashion sectors. Each of these briefs have been creative, with a variety of factors to balance, and most importantly with a client at the end of it. I enjoy juggling a range of projects, each one fulfilling my design drive, alongside my role as lecturer.

Now is the time to take stock of my own research practice again and take issue with ideas that have been germinating in the hinterland of my mind in relation to principle concerns in my design practice, which sit in harmony with my artistic and creative journey. It’s amazing how many threads of research and practice, when brought together make perfect sense, and reveal their value to me. Some discussions I had with visitors at TentLondon were opportunities to hear myself testing these notions, and so it is, back in the studio, with ink on a brush, ink on a roller and ink in the printer, I have started a new chapter, a new sketchbook and a new head-space.

It’s exciting, very daunting, and what drives me… I look forward to sharing this journey in the coming months, for now there is a glimpse…

KateFarley_startingLine

Plot to Plate archaeology

When I was a small child there was a time when I wanted to be an archaeologist. Having been lucky enough to have visited several Greek archaeological sites and been inspired by the possible finds underground I was convinced I had the patience and where-with-all to try. That particular career plan didn’t last long but something of the magic of unearthing lost treasures, and working through the soil of past generations has most certainly been re-awakened through my adult years of gardening – and beach-combing come to think of it!

Over the last few years I’ve represented this process of working with the soil and bearing witness to nature’s materials in many drawings and prints, working to represent layers of gardening, as if strata of dinner preparations. I like the continuum of being a gardener, as the current occupier and protector of a long line of gardeners, each winning and losing the battles of nature and harvests for generations.

As I have dug the plot for nearly a decade I’ve discovered many broken bits of pottery, and some I’ve kept and others I’ve turned back to the earth to be found again at a different time. With no rationale to what I have kept but having created little gatherings; pieces turned out from my gardening trouser pockets, I have realised I’ve started another collection. (check out www.obsessionistas.co.uk for two more of my collections)

I like to see the different surfaces, the whites, the blues, and the hints of familiar patterns. Why do people plant their broken plates? It’s certainly a different narrative to my Plot to Plate collection…

KFarleyplotPotsdrawing100ahttp://www.katefarley.co.uk

 

Plot to Plate prints and patterns at Tent London

What a week! Several trips to London, lots of bubble-wrap, the wearing of a particular dress and stamina, all in the name of Tent London as part of London Design Festival 2014.

The preparation has taken months, alongside the development of patterns and printing I have worked on marketing & promotion, stand design, costings and sales. I’m delighted that my first commercially available wallpaper called ‘Hanbury’ (see previous blog post) has been really well received by interior designers, the public and the press and I look forward to working with really great people who have shown support.

The fabrics have been fairly consistently described as ‘restful’ and ‘calming’ with the muted colour palette being appreciated and described as ‘mid-century’ and ‘modernist’. Its difficult to know sometimes how much people want to know about the generation of pattern designs, but when I described the inspiration and showed the drawings and limited editions of prints of allotments that helped to generate the motifs there was a sense of pleasure and understanding, especially amongst the gardeners! The linens have been popular, especially the Plot to Plate VVV stripe design. I look forward to seeing these fabrics on chairs and hung as curtains in due course.

After months working away in the studio it’s been a great opportunity to have conversations and feedback, meeting like minded people and making the first steps to some fabulous opportunities and working relationships. Thanks to all who came by to meet me, I really value the feedback and support!

A huge thanks go to all of my sisters who played their significant part in keeping me upright, getting me and my work to where we needed to be, and keeping the children going. Thanks to Gavin, as well as Helen for living in the right place, and huge thanks to Stuart for being a great ‘intern’ – above and beyond!

If you didn’t get a chance to visit my stand here’s what it looked like…

KateFarley_Tent_N20_webKateFarley_stand_details1_1500web KateFarley_stand_details2_1500_web KateFarley_N20standdetail3_1500web

Wallpaper in the creating…

The process of designing my first commercially available wallpaper has been a long & highly considered journey and one I thought would be interesting to share.

Research: I first made drawings in my sketchbook last summer when I visited the National Trust property Hanbury Hall & Gardens in Worcestershire. I really liked the formal parterre and saw a really close link between garden design and textile design – I wrote about this in a previous blog post: https://katefarley.wordpress.com/2014/05/11/pattern-design-outdoors-and-in/

Composition: Sketches became drawings that became more detailed designs, that were then tested in repeat by scanning them in to the computer and using Photoshop. Edge details, scale of motifs, pattern and textural rhythm all needed to be considered.

Cutting the block: I measured and cut the lino block before taking a really clean print in order to scan the print in to work digitally with the repeat tile.

Editing: Further refinements, several print outs and more alterations took place over several weeks as I got used to seeing and living with the design. Additional lino blocks were cut in order to add different motifs to the design. Additional variations across the larger repeat file create visual interests and a play on the traditional repeat expectations. Some tweaks were so minimal that people unfamiliar to the design wouldn’t be able to spot the changes without having them pointed out, but it’s so important that every dot, dash and space has been considered before the production process is underway, saving time and lots of money.

Production: The digital artwork was sent off to the manufacturers of the roller in order for the design to be printed, and a technical proof was sent back for my approval – exciting and scary times!

Colours: Much thought, research, trying and testing went in to the colour combinations and I painted lots of colour chips using gouache in order to communicate the choice to the printer.

Printing: After signing off the colour proof provided by the printer, the wallpaper went in to production, labels were designed and printed, rolls created.

Results: I’m delighted with the results, the efforts by all those involved with the production process, and look forward to launching this at TENT London very soon.

hanbury_BLOGtile1000rolls_100_DSC_0227