nature: holiday inspiration for the sketchbook

This holiday time has provided an opportunity to go to new places, see new things and return to the sketchbook just for fun. A week at Ilkley Moor enabled lots of time for walking and seeking out inspiration from the natural world, with distinct differences to the landscape I’m used to day to day. Up hill and down dale saw me amongst mosses and lichens, pebbles and boulders, grouse, larch trees, heathers and bogs … and even a fragment of pottery.

Rucksack pockets were filled with samples of treasure ready to investigate later. The process of drawing enables me to get to know an object, and by making several studies of each item I enjoy developing a stylised representation. I hope never to tire of the getting-to-know-you drawing process I have practised for thirty years.

By looking closely and seeing through drawing I can work out the essential elements of surface, form and texture to record, but also I love to play with the appearance of elevation and structure of three dimensional objects, such as the pebbles, to explore their new form as they appear on the page, as flat motifs.

The textures and colours of the items I gathered provide macro evidence of the vast landscape I walked through and connected with. As this was springtime there were pockets of fresh green bursting through winter foliage, demonstrating the natural cycle awakes again. The geology of Yorkshire provided variety in coloured greys and texture under hand and foot as we bouldered, scrambled and hiked, notable in contrast to the soft wet bogs and spongy moss beds amongst the heather.

Without going all John Ruskin about it, the natural world really is amazing, and full of inspiration for anyone inclined to notice. Anyway, back to the rather flatter fields of Norfolk …

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